Tuesday, October 11, 2011


Min (Menew, Menu, Amsu) was an ancient Egyptian god whose worship dates back to the predynastic times. His early images are the oldest examples of large scale statuary found in Egypt so far. He was worshipped by King Scorpion of the Early Dynastic Period and his symbol appears on the El Amrah palette (which is also known as the min palette). His cult may have developed from the worship of his fetish, which was thought to be a barbed arrow, a thunderbolt or a fossililised belemnite (an ancient relative of the cuttlefish). As time progressed, he was given a human form and represented by the Min standard which resembles a double-headed arrow on a hook. Alternatively, Min initially represented the constelation Orion and was thought to control thunder and rain (linking him to Set). This connection with Orion also liked Min with Horus because the three were depicted with their arms raised above their head (a pose linked to the "smiting" pose of the pharaoh) and later provided a connection with Osiris.

Min continued to be associated with Horus until the Middle Kingdom when Min became more closely associated with fertility and the solar aspects of Horus became more emphasised. Min was associated with Amun during the New Kingdom, partly because both were linked to the ram and the bull, both of which were seen as a symbols of virility. The composite god Amun-Min was known as Kamutef ("Bull of his mother"). In later periods he was linked to Reshep, the Semitic god of war and thunder. Both gods were thought to be married to Qadesh the Semitic love goddess, although Min was often considered to be the child of Reshep and Qadesh. It is perhaps unsurprising that the Greeks linked Min to their fertility god, Pan. Because of this association, they renamed named Akhmim, Panopolis (city of Pan).

He was a god of the Eastern Desert, and a god and patron of traveling caravans. A reference in the Pyramid Texts to "the one who raises his arm in the east" is thought to relate to Min. He offered protection to travellers and traders and was also worshiped by the miners and masons who worked around the Wadi Hammamat. In this area, he was known as "Min, the (foremost) Man of the Mountain". His association with the desert led to an association with foreign lands and with the god Set.

Although he was associated with the desert, he was a god of fertility and sexuality. He was associated with the Egyptian long-leaf lettuce (also a favourite food of Set) which was considered to be an aphrodisiac as it secreted a milky substance which was likened to semen. Min was often shown standing before offering tables, covered with heads of lettuce. At the beginning of the harvest season, Min statue was carried through the fields in a festival known as "the departure of Min". Min blessed the harvest and the people held games in his honour, the most of which involved the menfolk climbing a huge pole (which had a connection with fertility not unlike the maypole). It is thought that this related to the construction of a huge festival pavillion where the festivities were held.

Min was closely associated with fertility and agriculture, and so with Osiris. In depictions of one of Min's festivals, the pharaoh hoes and waters the ground while Min watches. In another, the Pharaoh ceremonially reaps the grain. However, Min was not just a fertility god, but a patron of male sexuality who could help men to father children. When the pharaoh successfully fathered an heir he was identified with the god, and a virginal girl was sometimes called an "unploughed field". As he represented male virility, it is not surprising that it was he who presided over the Heb Sed festival, in which the pharaoh ran a course carrying ritual objects to rejuvenate him and to prove his virility. During the New Kingdom the Pharaoh was expected to sow his seed metaphorically using plant seeds to prove that he was fertile, although some scholars suggest that the Pharaoh was also expected to prove that he was still sexually potent by ejaculating. He was also a lunar god (relating him to moisture and fertility) and was given the epithet, "Protector of the Moon". The last day of the lunar month was sacred to Min and by the Ptolemaic period, he was patron of the fifth month of the Egyptian calendar (called Tybi by the Greeks).
Min was generally thought to be the son and husband of the goddess of the east, Iabet. However, in Gebtu (which was the cult site of both Min and Isis) Min was considered to be the husband of Isis and the father of Horus (again associating him with Osiris). In Memphis he was associated with Ptah as the composite god Ptah-Min. He was also linked to a number of leonine warlike goddesses (particularly Sekhmet). As a result the body of Min is sometimes given the head of a lioness. He was also associated with the composite deity Mut-Isis-Nekhbet, known as "the Great Mother and Lady". This deity was depicted as a winged goddess with leonine feet, an erect penis and three heads (the head of a lion head wearing Min's headdress, a woman's head wearing the double crown of Egypt and a vulture's head wearing the red crown of Lower Egypt).

Min was generally depicted as a mummiform human man with an ithyphallic (erect and uncovered) penis wearing a crown with two large feathers (like that of Amun). In his left hand he holds his penis (although this is usually only apparent in statues because of the perspective applied to two dimensional images in Egyptian Art) and in his right hand he holds a flail up above his shoulder. The flail represents Pharonic power and fertility (it was used to thresh corn and remove the husk) and it is suggested that the position of his arm replicates the stance associated with Orion and that the position of his arm in relation to the flail represents sexual intercourse (with the flail representing a vagina and his arm representing his penis). His skin is black (linking him to fertile black soil). Occasionaly he wears a red ribbon which may represent sexual power. When he takes the form of Amun-Min, he sometimes wears a sun disk between the two feathers on his headdress. In both Akhmin and Coptos he was worshipped in the form of a white bull (representing virility) known as "Bull of the Great Phallus" and in Heliopolis he was associated with the Mnevis bull cult. When he is represented as the constellation Orion he can be distinguished from Osiris because the three bright stars of Orion's belt are made to represent his erect penis.

Because of his rather noticable genetalia, images of Min were subject to a great deal of damage at the hands of more prudish Christians immigrants and during the Victorian period egyptoligists regularly ommited the lower part of his body in photographs and drawings. In a final insult to the god, ninteenth century scholars mistranslated his name as Khem (or Chem meaning "black" in egyptian). This was in fact one of his epithets which related to his fertility ascpect because black was associated with the fertile soil of the nile. This black soil was so central to the egyptian way of life that the word also became a common term for the land of Egypt itself. His cult center was Gebtu (Koptos), the capital of the fifth Nome of Upper Egypt but in later times he was also associated with Khent-Min (Panopolis, Akhmim) the capital of the ninth Nome of Upper Egypt.
~ ♥ ∞∞ ♥ ~


MUT, whose name means ‘MOTHER’, is usually depicted either anthropomorphically, wearing a Vulture Headdress and the Double Crown of Egypt united – the only Goddess to wear this Crown regularly – or as a Lioness-Headed Woman. Although the hieroglyphic sign of the vulture forms her name, she is NOT a Vulture Goddess like Nekhbet; rather, the Vulture Headdress serves, as in the case of other Goddesses who wear it, to signify Her MATERNAL QUALITY.

As MUT, was said to be the wife of AMUN, with whom she is the MOTHER of KHENSU. From the time of HATSHEPSET onward, MUT is also regarded as the MOTHER OF THE PHAROAH. She almost always bears the epithet Weret, or ‘Great’, which, interestingly, when combined with Mut can be read as ‘Grandmother’.

Mut is said to be “THE MOTHER WHO BECAME A DAUGHTER,” or “THE DAUGHTER-MOTHER WHO MADE HER BEGETTER,” expressing A POWER OF SELF-CREATION similar to that expressed for AMUN by the epithet kamutef, ‘BULL OF HIS MOTHER’, meaning 'one who is his own father'.

Related to this aspect of MUT may be depictions of Her with an erect penis, indicating Her CAPACITY to CREATE HERSELF ANEW AS HER OWN DAUGHTER.

An extraordinary work undertaken in honor of Mut is the so-called ‘Crossword Hymn to Mut’, designed to be read in three directions. In this long hymn, MUT absorbs the attributes of many other Goddesses. Her distinctive character of MOTHER/DAUGHTER emerges, however, in passages like these: “His [Amun-Re's] daughter lives in his sight, she having appeared as his mother, and he being protected because of her,” (19 vertical).

The protective function exercised by MUT here is both essentially hers, in common with other deities envisioned as LIONESSES, WRATHFUL DEITIES who DEFEND LIFE and THE COSMIC ORDER, and a result of her identification in this hymn with the URAEUS, the PROTECTIVE COBRA perched upon the brow of RE as His SPECIAL PROTECTION.

Characteristic of MUT are the explicit references to Her REJUVENATION OF HERSELF:
“Her limbs are rejuvenated … Re of Heliopolis … recognizes Her as His daughter,”
(20 vertical);

“… Her Name of ‘She Who becomes rejuvenated’,” (54 vertical).

Particular to Mut as well is the juxtaposition between the HIDDENESS of Her Husband (AMUN, literally ‘THE HIDDEN’) and HER OWN MANIFESTNESS:

“The Lord of Eternity sits while She acts by means of Her Word,” (13 vertical).

“The Ennead sees by means of Her Rays every day,” (44 vertical);

“Indeed, She is This Light of Day, The Great One Who Endures Through Her Name,”
i.e. of MUT, ‘MOTHER’ (46 vertical);

“The Noble Sun-Disk, Who is in The Heart, The Sole One, whose Face is The Light,”
(54 vertical).
~ ♥ ∞∞ ♥ ~